So, for our civilization project over in the Greece Group, we got together and discussed how we wanted to do our artifact and Rosetta thing. Our first thought was that the Greeks, like many other ancient cultures in the Mediterranean area, frequently wrote on papyrus. It seemed easy enough, it is a simple and common medium, but when we tried to get our hands on papyrus, we immediately started running into difficulties. First, we tried online, but the fastest reliable shipment method we could find would have taken a full four days (by which time we needed to be translating our new artifact), so we searched to see if there were any local stores that might have it, to no avail. We considered stone, which was a popular medium at certain Greek time periods, but discarded that idea because of the difficulty of writing into that medium.
Our Rosetta thing and our received artifact, displayed against The Freschetta box we used to preserve the "Stone" |
Finally, we arrived at a sort of compromise;
clay! Easier to write in than stone, easier
to get than authentic papyrus, and just as authentic as any other medium for
our culture. So, we got together after
class, piled in my car, and away we went to the Hobby Lobby! We found some clay that was the color and
type that we wanted, bought a few samples, then we went back to campus. We decided to use the famous first line of
the Odyssey, “Tell of the storm-tossed man, O Muse, who wandered far…” which we
divided up amongst ourselves, one or two words each, then we each took our turn
inscribing our words in the clay, and voilà, one authentic Greek Artifact!
As I’m sure was the case with most groups, the
real fun started with the Rosetta-thing.
We received our artifact from the Indo-European group, a palm frond with
some writing on it.
Phone picture--what did I do before my Blackberry? Oh, and, yes, that is upside down. Woops. |
I took a picture of it on my phone, went
home, and started looking up different texts.
I had taken the picture upside down, however, so for the first twenty
minutes or so I had no luck whatsoever even finding candidate languages, so I
went to the different blogs of the different members of the other group, and
almost immediately I realized that I had been looking at this script all
wrong. I turned my phone the other way
around, and suddenly it looked a lot like those languages I had been
seeing online. So, I compared a few of
them, and I felt fairly confident that this language was Devanagari.
Monday, we got together as a group in the Wilkinson
Center, and started researching Devanagari.
We were able to find a few similar characters, but the syntax was very
involved, and we were nowhere near a solution after probably a half hour of
searching. When we realized that that
was going nowhere, we started looking up Sanskrit scripture on a hunch, and
thankfully the script we were looking for was in the first hymn of the first
book of one of the books, namely the Rig Veda.
Once we had found the text, the rest of the translation was relatively
easy.
The last thing we needed to do was to make
the Rosetta-thing. We decided that we
needed to mold the clay first, because there was not enough room for all that
we needed to write. Blaine started the
process while we were finishing up the translation, dipping the clay into a
water bottle to soften it, then molding it over some paper towels to keep the
table dry-ish. Once the translation was
done, we all joined in and helped mold.
It went fairly smoothly, except for an incident with a spilled water
bottle. :-s
Finished product! Translated, Transcribed, and...Fired! |
Anyway, we finished the molding, then three
of us each took one language to transcribe.
I had the job of writing the English, which was nice because I knew the
characters, but also hard because it required me to think more carefully than I
am used to about forming the characters legibly. When we had finished that, we passed the
Rosetta thing on to Blaine to “fire” in his oven. Molded with our own hands; that’s what a job
well done feels like.
(Oh, for those wondering, Ted and I started calling it the “Freschetta Stone” because we used a box from the Freschetta restaurant in the Wilk to transport it without it getting broken or destroyed. :-) )
Very clever name for the stone! I like it.
ReplyDeleteBut that's really interesting what you mentioned that if the ancients would have overheard conversation where we would be just discarding their normal method of writing medium.
It will be like that for us I assume in the future when our great grandchildren, or even grandchildren, choose to just put aside paper for writing down something. Will there even come a time when they will put aside digital notes??
I like the fact that you went on a hunch to figure out what the message said. I think finding out what another language says on you own can be very challenging. The most annoying thing about transferring languages is that you lose the ability to be as sarcastic or funny most of the time unless you are truly a master at both of the languages you are dealing with.
ReplyDeleteI wonder what it takes to be able to transfer humor from one language to another? If anyone has a clue let me know.
Montana, the big problem with humor is not just the difference in language (which is usually not *that* hard to overcome...if you know the language well) but the change in culture. Trust me, anyone who has seen missionaries try to make jokes in a different language can tell you that senses of humor change drastically from country to country. (You can see some of that just going from here to the UK!) One example; here in the states we had a fad of 'your mom' jokes; in France, it's hugely offensive to say 'your mom', which some missionaries in my mission had to learn the hard way. :S
ReplyDeleteI think culture is one of the biggest contributors to humor; language is just a medium to transmit that humor.